Photo reblogged from textile nerd with 45 notes
Denise Bidot for Nordstrom
Source: this-flight-tonight
Photo reblogged from textile nerd with 45 notes
Denise Bidot for Nordstrom
Source: this-flight-tonight
Photo reblogged from Gretchen Jones :: Blog with 1,070 notes
contemptuous.
Source: madelinepoolenails
Photo reblogged from Lomography with 663 notes
Lomography Camera of the Day - Diana F+
Source: lomographicsociety
Photoset reblogged from Radiolab with 8,938 notes
Kim Keever’s large-scale photographs are created by meticulously constructing miniature topographies in a 200-gallon tank, which is then filled with water. These dioramas of fictitious environments are brought to life with colored lights and the dispersal of pigment, producing ephemeral atmospheres that he must quickly capture with his large-format camera.
More here.
Source: ktfineart.com
Photo reblogged from Mucksnipe with 6,730 notes
Aaron Smith, “Buck”, 2011, oil on panel, 28”x24”
Source: mucksnipe
Presumably, we will never reach satisfaction because there is always a gap between the signifier and the signified. Once we get the ____, (if we get it), the signifiers will keep multiplying, because there is always differance. We may seek the object of our desire but we can never reach it (we can never reach the signified), because something always defers it, producing another desire, so that we want something to go with it or substitute for the ____, which itself is already a substitute for a previous desire, which in turn is a substitute for a still earlier desire. There is no origin and endpoint.
Robert Dale Parker, How to Interpret Literature
This makes my entire existence make sense.
Photo reblogged from Gretchen Jones :: Blog with 182 notes
Georgia O’Keeffe, Jack in the Pulpit No. IV, 1930.
Source: thepowerofart
Photoset reblogged from Gretchen Jones :: Blog with 172 notes
<3 men on motorcycles make me happyyy
Source: youmightfindyourself
Page 1 of 9
